Hegel comments on the one hand that Socrates was truly tragic, and on the other hand that the comic image of Socrates that Aristophanes portrayed in his comedy is true. So according to Hegel, Socrates was both tragic and comic. This view seems contradictory but it is of great importance, not only in Hegel’s theory of Aesthetics but also in his system of philosophy itself. In Hegel’s system of philosophy, comedy follows tragedy, in other words, comedy is placed above tragedy. In this article, I understand the position of Socrates which Hegel argues as in transition from tragedy to comedy. Furthermore, it will be shown that by practicing his philosophy, Socrates himself deconstructed the social, historical, and religious foundations on which tragedy is based, and the way he practiced his philosophy was comic in itself.
ヘーゲルのソクラテス論 その悲劇性および喜劇性
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